{"id":4726,"date":"2015-12-24T00:25:22","date_gmt":"2015-12-23T16:25:22","guid":{"rendered":"https:\/\/pointestcharlesartschool.org\/?p=4726"},"modified":"2015-12-28T09:49:16","modified_gmt":"2015-12-28T01:49:16","slug":"a-christmas-memory","status":"publish","type":"post","link":"https:\/\/pointestcharlesartschool.org\/fr\/a-christmas-memory\/","title":{"rendered":"A Christmas Memory"},"content":{"rendered":"[vc_row][vc_column width= »1\/4″][vc_single_image image= »4487″ border_color= »grey » img_link_target= »_self » alignment= »none »][\/vc_column][vc_column width= »3\/4″][vc_column_text]by Catherine Wells
\nDirector, Pointe-St-Charles Art School<\/span><\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width= »1\/1″][vc_column_text]\u00a0\u00a0\u00a0 When I was a little girl in the 1950\u2019s, I took art classes at the Montreal Museum of Fine Arts<\/a>. Arthur Lismer<\/a>, a member of the Group of Seven<\/a>, was the founder of the art school there and, although he was not my teacher, he would fly through the studios occasionally and look at all the students\u2019 work. I knew he was a great man. My mother had told me so. Therefore, I was a little in awe of him. My memory is of an intense, agile, tall, thin gentleman in a light-coloured, three-piece tweed suit and a tie – always a tie.<\/span>
\n\u00a0\u00a0 \u00a0One day, not long before Christmas, he blew into our classroom. He stopped in front of me, examined me and asked if I would like to be in a Christmas tableau. After having \u2018tableau\u2019 explained to me, I imagine I must have muttered my assent because, although young and shy, I was flattered by his attention and wanted to take part in what sounded like a play.<\/span>
\n\u00a0\u00a0 \u00a0It turned out to be a reenactment of a Medieval painting<\/a> of the Nativity. I was, a little disappointingly, to be a shepherd and not, as I had hoped, Mary. My haircut assured that. But it probably also assured my participation in Lismer\u2019s theatrical production. I had a Dutch Cut.<\/a> In my\u00a0 painting smock it seems I\u00a0 looked quite like the medieval page.<\/span>
\n\u00a0\u00a0 \u00a0I was told to go home and make a short skirt like a page\u2019s (he showed me a picture) and he was quite insistent that I made it myself (I was about 9). I told my mother this and I guess she couldn\u2019t accept that I would stand up in front of a cultured Montreal\u00a0 audience in a skirt of my own making. So she made it for me. It was corduroy with a wide ribbon belt. I wore it with my beige school stockings and my artist’s smock.<\/span>
\n\u00a0\u00a0 \u00a0Back at the museum during rehearsal Mr. Lismer asked me if I had made my skirt myself, and he was annoyed and I was embarrassed when I said no. Oh, the helplessness of childhood! <\/span>
\n\u00a0\u00a0 \u00a0We rehearsed. It wasn\u2019t hard: we just had to get into our positions as he directed according to the painting, and not move. T<\/span>his he emphasized over and over.<\/span>
\n\u00a0\u00a0 \u00a0The big day came. We were in a large room in the museum, an auditorium I think, and it was filled with people standing and waiting for the<\/em> Arthur Lismer Christmas Tableau<\/em> to be unveiled. We got into our places and were reminded again – DO NOT MOVE – no matter what! The semi-sheer white curtains opened and the light shone down on us. Even from my stand-point behind and slightly to the right of Mary we were beautiful! I remember it as a wonderfully mysterious glow. I gazed down at the Holy Family, still jealous of Mary, but nonetheless transported. Beyond them I could see a mass of quiet faces in the semi-darkness focused on our scene. I really felt part of a painting – a part even of the Nativity. The desired effect had been sublimely achieved. <\/span>
\n\u00a0\u00a0 \u00a0After hushed noises of approval from the audience, the curtains began to close. They closed halfway, then stopped. This wasn\u2019t supposed to happen. We waited and waited. The curtains were stuck! We didn\u2019t move a muscle. We just waited for the curtains to close. But then it must have gotten to be too much for Mary, because she reached right up out of that painting, leaned over the head of the Baby Jesus, and pulled the curtains shut!<\/span>
\nMy heart pounding with fear and curiosity, and without moving a muscle, I looked to my right. There, just off stage, I could see and hear a stifled explosion from the great man. <\/span><\/p>\n

Merry Christmas Everyone!<\/span><\/p>\n

\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width= »1\/4″][vc_single_image image= »4487″ border_color= »grey » img_link_target= »_self » alignment= »none »][\/vc_column][vc_column width= »3\/4″][vc_column_text]by Catherine Wells Director, Pointe-St-Charles Art School[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width= »1\/1″][vc_column_text]\u00a0\u00a0\u00a0 When I was a little girl in the 1950\u2019s, I took art classes at the Montreal Museum of Fine Arts. Arthur Lismer, a member of the…<\/p>\n","protected":false},"author":1,"featured_media":4731,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"post_series":[],"class_list":["post-4726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","entry","has-media"],"yoast_head":"\nA Christmas Memory | Pointe St. Charles Art School<\/title>\n<meta name=\"description\" content=\"by Catherine Wells Director, Pointe-St-Charles Art School\u00a0\u00a0\u00a0 When I was a little girl in the 1950\u2019s, I took art classes at the Montreal Museum of Fine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pointestcharlesartschool.org\/a-christmas-memory\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" 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